LINEAR PERSPECTIVE: One Point

Karina

Last Wednesday the class completed work on the one-point linear perspective drawings and started their two-point project. Karina's drawing illustrates overlapping and intersecting forms. In addition, she has balanced the composition by repeating the "z" form around the design.

LINEAR PERSPECTIVE: One-Point

Cathryn (sketchbook)

Last Wednesday the class began working on One-Point Linear Perspective drawings. The objective is to place forms above, below and across the horizon line. These drawings will be due at the start of class next Wednesday.

LINEAR PERSPECTIVE: One Point

This morning class began with a critique of the color schemes project. These paintings are due on Wednesday. We also started to discuss One Point Linear Perspective with a slide lecture and demonstrations on the chalkboard.  On Wednesday, we'll get started with the first project employing linear perspective.

ONE POINT LINEAR PERSPECTIVE

Today the class began working on One point linear perspective drawings. We will complete this drawings in ink tomorrow and critique them before moving onto Two point linear perspective.

LINEAR PERSPECTIVE: One-Point

Last Thursday, the class began drawing in One-Point Linear Perspective. The class will continue working on these drawings Tuesday.

LINEAR PERSPECTIVE: One Point

Last Friday the class made drawings of rectilinear forms employing One Point Linear Perspective. A detailed description of Linear Perspective can be found in the menu above. The objective was to create a space of overlapping, interlocking forms sketched in pencil and then inked addressing texture and value.

LINEAR PERSPECTIVE: One-Point

James Christenson

Yesterday we began working with one-point linear perspective. The objective is to create a design in one-point perspective and then add value and texture. Notice the use of repeating, penetrating rectangles to establish a rhythm.

LINEAR PERSPECTIVE: One-Point

Ashley Gunderson

Yesterday the class began working with One-Point Linear Perspective. In one-point perspective all parallel diagonal lines must converge at a single vanishing  point. In Ashley's drawing above the vanishing point is located in the center of the paper.
The class will continue working on these for part of today adding value and texture. In addition, we will discuss Two-Point Linear Perspective before the day is over.

LINEAR PERSPECTIVE: One-Point

Christie Noe

Class began with a critique of the texture inventories. Followed by a lecture and demo on one-point linear perspective. Christie's drawing above has a left to right movement due to the placement of the vanishing point off to the right side of the composition. The strength of the drawing at this point in its unfinished state is the way she has repeated the "z" shapes and transforming them into an "L" down in the lower right.